Hiroshige was one of the last great ukiyo-e artists. He was a member of the Utagawa school, which was one of the four major schools and stood at the forefront of this 19th century movement. Since Japanese artists often took on the name of their school, for part of his life he was known as Utagawa Hiroshiga.

During Hiroshige’s time, the print industry was booming. Tourism was also on the rise, and these prints became the equivalent of travel postcards for the Japanese. This print was published 1858, the year of Hiroshige’s death. It is part of One Hundred Famous Views of Edo, an illustrated guidebook to the city now called Tokyo.

Ukyo-e first appeared in the West after Japan began trading with the Dutch in 1609. At that time the prints were only used to wrap parcels for shipping. They didn’t gain real attention until they appeared at the Paris world’s Fair of 1855. There, they caught the attention of the Impressionists, who went nuts over them. They were all over the walls in Monet’s home in Givernny. Van Gogh also covered his walls, and made several direct copies of Hiroshige's work.