Sir Lawrence Alma-Tadema A Reading from Homer

Inspired by - Sir Lawrence Alma-Tadema - A Reading from Homer

Lawrence Alma-Tadema was one of the principal classical-subject painters of the nineteenth century. He became famous for his depictions of the luxury and decadence of the Greek and Roman Empire, with languorous figures set in fabulous marbled interiors. He was born in the Netherlands as Laurens Tadema, but he emigrated to England in 1870. When he tried to make his niche in the art world, he changed the spelling of his first name to the more English “Lawrence”. He included his middle name “Alma” as part of his surname, so he would be listed amongst the “A’s” in exhibi-tion catalogues.

His meticulous archaeological research into Roman architecture, led to his paintings being used as source material by Hollywood directors in such films as: “Ben Hur”, “Cleopatra” and “Gladiator”. For “The Ten Commandments” Cecil B. DeMille would customarily spread out prints of Alma-Tadema paintings to indicate to his set designers the look he wanted to achieve.

He became one of the wealthiest painters of the 19th century. He was even knighted in 1899. But like so many great painters his work was mostly ignored after his death. His painterly prowess was not reestablished until fifty years later. One of his most celebrated paintings “the Finding of Moses” was sold in 1960 for $400, the same painting sold for $36,000,000 at Sotheby’s in 2010. If you bought $400 of Apple stock in 1980 it would only be worth $280,000 today.

To see original: https://bit.ly/43oEUiH

Pieter Bruegel the Elder - The Peasant Wedding

Inspired by Pieter Bruegel the Elder - The Peasant Wedding

Brueghel was well known for his peasant scenes; he was often referred to as ‘Peasant’ Breughel. Through his paintings we came to learn more about village life of the 16th century. Like so many other moralistic genre paintings this is filled with symbolistic references. Here gluttony and poverty stand out, but possibly lack of virginity. The paper crown hung over the bride is in two parts which implies she may already be with child.

Pieter’s son, Brueghel the Younger made a copy of his father’s work, and a couple mysteries appear.  In the elders version, there is an additional foot under the food tray (a door off its hinges). It seems the man in the front of the tray has three feet.

Is this a joke by the painter? Clearly Brueghel the Younger, didn’t think it was funny for in his painting the third foot is eliminated altogether. Another object that went missing is a large codpiece (a leather phallus sheath, cod was slang for scrotum) on the bagpiper. The younger attached this accoutrement to the bagpiper, but Dad’s has gone missing. Through infrared photography they found that senior’s codpiece had been replaced with a black patch. This was not the first time the elder was censored. In his bawdy, The Wedding Dance, several codpieces were removed from the frolicking peasants, only to be discovered during a 1941 restoration. I guess Pieter was not the only one with scruples

See Original: https://bit.ly/3r0aLbF

Howard Pyle - Marooned

Pyle was considered the dean of American illustration. In 1894, he began teaching illus-tration at the Drexel Institute of Art, Science, and Industry (now Drexel University). He left there to open his own school, the Howard Pyle School of Illustration Art This was in Wilmington, Delaware where he had spent most of his life. Artists came from all over to be part of this studio. NC Wyeth was from Massachusetts, but gravitated to Pyle in Delaware. He sent Pyle a portfolio and was accepted. Pyle did not charge his students, but he only accepted the ones he felt were truly talented.He influenced so many artists, and told them "Throw your heart into the picture and then jump in after it."
Historians at that time were not sure what pirates actually looked like. In his many pirate books, he created their clothes straight from his imagination, giving them a style akin to gypsies. His works became so well known, that what Pyle painted is now what the general public thinks pirates looked like. The creators of “Pirates of the Caribbean” with Johnny Depp, acquired a number of his pirate illustrations and modeled the characters in the movie after them. Many of his pirates wore a big red sash and bandana, a style that was not from history, but manufactured by Pyle. In this painting the hat and the coat at the pirate’s feet are those of a naval officer. Probably garnered from a high seas skirmish.In his stories, there was a pirate’s code, which if broken brought on punishment. One possible punishment was, marooning. The pirate would be left on a desert island and given a knife or pistol with which to commit suicide. This poor sole hangs his head and contemplates his end. To see original: https://bit.ly/3Yduocp

Georges de La Tour – The Cheat with the Ace of Diamonds

Inspired by Georges de La Tour - The Cheat with the Ace of Diamonds

The Cheat with the Ace of Diamonds - 1635

Musée du Louvre, Paris

De la Tour created two versions of this painting. One is in the Louvre and the other is in the Kimbell Art Museum, Fort Worth Texas. The only difference being the clothes and especially the cheat card. In this painting that card is an ace of diamonds and in the other it is an ace of clubs. You can probably guess the name of the Kimbell version. Like so many paintings from the 17th century, this one is loaded with a moral message from the church. Many artists wished to remind their audiences that sinners were barred from Heaven. As far as sins go this painting includes the three biggies: gambling, drunkenness and lust. The choice of the cheat cards is no accident. The diamond evokes money and commerce of the flesh, while the club symbolizes ill fortune.

De la tour was a very successful painter in the 1600’s, but quickly fell out of favor after his death. His star would not rise again until this painting appeared in a 1934 exhibition at the Louvre. It was the first time his work had been exhibited in almost 300 years. This sparked a growing craze for the artist and his work started popping up everywhere. Despite this new stardom, Pierre Landry, a Paris art dealer, spent 15 years trying to get the Louvre to buy this painting. They finally completed the acquisition in 1972. Maybe he was just asking for too much money.

To see original: bit.ly/3Cx2aiB